Chris Pidsley has dropped a couple of tasty indie-rock tracks recently which we can’t get out of our heads! Cinnamon & Berryhead show Chris Pidsley’s increasing talent as a song writer and mastery of creating a relaxed, happy soundscape.
Cinnamon has an intro that’ll be sampled into a chill-hop track any day now. The track moves into classic up-beat indie rock vibe with retro synths, chorused guitars and lazy vocals. Chris uses rhythmic flourishes and tasteful layering to keep us listening throughout the track. The track is about “the excitement and emotions you feel when you kiss someone for the first time.”
Berryhead is the sleepy b-side to Cinnamon. The song is a beautiful lullaby reminiscent of Jose Gonzalez, Cavetown or Syd Matters that would sit perfect on the “Life is Strange” Soundtrack. Chris has beautiful strings and synths to accompany his multi-tracked vocals the combines into a beautiful elixir that washes over the senses to put you at ease. Chris wrote Berryhead “…whilst on holiday in Torquay. On a walk to Berryhead I saw a bench dedicated to a couple who said that spot was their favourite spot in the world. I based the lyrics on this idea of a couple growing old there and the beauty they saw in each other as well as the location.” Berryhead might be my personal favourite track from Chris Pidsley so far.
Make sure to check out Chris Pidsley over on Facebook, Instagram and Spotify.
Fighting on the frontlines of the pandemic in London hospitals hasn’t stopped MYRY from adding another beautifully melancholic piano track to her repertoire.
Stuck in a Loop is a stripped back inner dialogue accompanied by MYRY’s warm piano and WULF‘s soft vocals.
The song is gentle but builds with a quiet strength that stretches and swells until you’re swept up in swathes of synths bringing the song into a rich climax. The music sounds like a beautiful blend of Regina Spektor and Lydia Cole, combining the charm of a singer-songwriter and a piano with a sophisticated soundscape of synths.
MYRY has built a reputation for herself with the success of her Debut Single Ghosts, called a “Headphone moment” by BBC introducing. Record of the Day said her “voice [was] as captivating as Freya Ridings or Birdy“, but MYRY’s success began earlier than this. As a teenager MYRY was a Youtube success garnering millions of views from various covers, including everyone’s favourite song with a cup, “When I’m Gone“.
Hints of an upcoming EP from MYRY have been mentioned, and we can’t wait to get our hands on it.
Hannah invites us into a hazy drunken discussion about becoming disillusioned with a worldview proposed by common media. Various creatives from their own bubbles brought together their own visual takes on the song, creating an eclectic video montage of diverse expression. Hannah talks of just managing to scrape by, but reluctantly acknowledges that we should keep on trying.
We found Hannah in London prior to lockdown with the ‘Loud Women’ collective where she wow’d an audience with a heavy and raw performance. Taking influence from a variety of artists including Nick Cave, Alison Mosshart, Debbie Harry, The Carpenters, Sonic Youth, The Watersons and Queens of the Stone Age, Hannah produces music that is quite special, and delightfully off kilter.
See her music video for I Really Wanna below:
Max Earnshaw’s latest single Stay has an infectious feel good groove that has you bopping and toe tapping right in your seat.
The track is chocka with tight grooves from reknown Adam Tobeck, juicy guitar tones from Christo Karadjov, James, Fistonich and Max Earnshaw himself, all wrapped masterfully together by a Luan Meaker Mix.
Max brings the same fun and positivity to his tracks that you’d expect from Jet or Franz Ferdinand. We can’t wait to hear this track live when Aunty Cindy lets us play again!
Stay is a Bandcamp exclusive! So find it here.
Weightless Without by Bridges is a song made to be played in a stadium.
The track is big, the drums are booming, the listener is lost in a sea of guitars and BVs. It’s an epic track that deserves a seat in the climax of a film.
Following her well received debut single Sister, Weightless Without is the second single from Kiwi artists Bridges.
Bridges has built a solid reputation in Auckland city playing in spaces such as Movespace, and playing on the air at RNZ.
Bridges started out in Christchurch known as Rachel Hamilton performing as an acoustic singer songwriter, but made the move to Auckland to study and redefine her sound as an indie-pop artist.
RNZ premiered the cinematic lyric video below for Weightless Without on the 28th of May.
Down Down from Screams From the Sun is one of the most fresh tracks we’ve reviewed at Kiwi’s Listen. Unable to be held back by the pandemic, they recorded this pop-rock banger in isolation. The duo blends “emo feels” and “80s Hollywood Blockbuster” into what we hear as a darker Twenty One Pilots. The soundscape is quite electronic and alt-pop reminiscent of groups such as Everything Everything and Linkin Park’s ‘A Thousand Suns’. However this group undeniably has the energy of 2000s emo rock groups driving it. A heavy distorted sliding synth unapologetically supports the chorus line “Down Down”, but really helps provide the key hook to the track making use of the empty space around it.
The Duo Mimi and Francis originally met in 2017 when busking, they paired their skills and spent a year writing and busking around London, getting established with venues and unsigned festivals. Screams From the Sun has successfully got themselves on Rolling Stone France and even played with Jared Leto during a performance outside the BBC Radio1 in 2018.
Quirky by Chris Pidsley takes you in with intimate storytelling and beautiful harmony placing you in a warm lounge by a fireplace with a highschool sweetheart. But true to it’s name the song shifts tone quickly into a positive bop with a bouncy chorus. Charming electric piano joins in to accompany the ensemble and fleshes out the piece into a lovely feel good indie-pop track that leaves you beaming.
Based in Tottenham, Chris Pidsley has been working on music he calls indie / bedroom pop for a few years. He’s been played by BBC introducing and is now working on putting out a complete EP.
Due to the current Isolation Quirky was put together in lockdown in Chris’s bedroom, and has notably given the track and organic feel which helps show his personality.
There’s an undeniable charm to this track, and we hope to hear what will come of a fully fleshed out EP!
Receiving endorsements from the likes of Calvin Harris, Dallas Austin, and BBC Radio’s Dean Jackson, JENKO is someone you don’t wanna sleep on.
The 26 year old electronic dance pop artist has been songwriting from the age of 16 and has built up a reputation with radio stations, online press, newspapers, and big names in the game.
This year JENKO is making waves as an artist in his own right, dropping his latest single Oblivion. It’s clear that JENKO isn’t messing around with a high calibre music video with stunning visuals paired with the professionally put together track that simply put, really slaps.
Iduna’s new single ‘Creeping In’ comes in quick and slams you with an off kilter groove and vocals playing with modal change through gritted teeth. The track ramps up into a high energy chorus with the joint vocals of Jason Craig and Trison Boyes. Creeping in keeps you engaged with constant development and a thundering rhythm section from bassist Tim Saulnier and drummer Craig Koziar which has you relentlessly head banging in your seat. The song finishes with blasting rhythmic flourishes and soaring vocals similar to Alterbridge, and that’s not a comparison to make lightly. The track is about letting go and welcoming the loss of inhibitions. The lyrics explore the vulnerable side of attraction and the emotional risk we all experience in putting ourselves out there.
Iduna stated they make “alternative rock music that wrestles with the question of what it is to be and who we should be to each other. Building on the sounds of The Smashing Pumpkins, Matthew Good Band, Biffy Clyro, and Kings of Leon with a political tinge”
Born from a late night of drinking oneselves silly, Las Ritas take their name from the fabled lager of choice that evening, Budlight lime-a-ritas. Fittingly so, the group writes about drunken sadness, heartbreak and mania. Their sacred message is coupled with dancey vibes and wavy guitars reminiscent of a Mac Demarco track.
Their latest single Die in Time starts slow with dreamy guitars that build into a groove you can happily bop to with a bottle of cheap beer. The sound is strikingly similar to Kiwi favorites Daffodils who strike a similar sound with their music. Hopefully the two can create an international tour of New Zealand and California!