Release of the Vengeful Millennial

Electro Rock, INDIE, Indie Rock, Rock

Pop in your air-pods and grab your avo-toast, Hazza Making Noise’s Debut EP Vengeful Millenial is here, and it’s solving the housing crisis.

Harry Platt, the face behind Hazza Making Noise, has been releasing a string of singles since 2018. Each track takes a unique spin on re-imagining the grunge era through electronic music. Singles such as Do You Wish To Print A Receipt cracked the algorithm to break into a hallowed Spotify editorial playlist. Regular single release shows with backing band, The Ellice Road Boys, have helped build up a loyal fan base eager for the first debut EP.

NoMoreGaps is the opening track of the EP, and it starts tentatively. A mellow take on the lead riff begins to fade in with samples taken from the countdown self-checkout aisle, a subtle node to an earlier single. The track then swells in with its catchy synth lead and builds to a fast pasts chorus with off kilter rhythms and shouted vocals. “The duelling riffs in the verse is probably one of my favourite things I’ve stumbled into” says Harry, “The bass and guitar really groove out, and the beat just sews it together”. The track continues bouncing between ambient verses and bridges and its “bipolar punk rock chorus” which talks of liberating oneself to all sorts of vice to fill the gaps.

Boomers is Disguise is a punk rock football stadium chant that comes in hard straight out of NoMoreGaps. The track previously came out as a single with artwork showing ol’ Winnie Peters sporting a fantastic pair of Groucho glasses. The track goes hard with mellow verses teasing the reckless pace and chanted vocals of the chorus. The track came from an old flatmate who dared Harry to write a “rock-opera about baby boomers”. This becomes clear in the bridge where the chorus fade back for a chorus of Harry’s to slowly sing the mantra “Blame the Baby Boomers, Blame the Goverment, Blame the Baby Boomers, It’s all their fault”. Its a hard hitting tune, definitely slaps.

After the two fast paced singles, we’re lead into a reprieve with a slightly western guitar riff over some ambient instrumental loops. Harry starts with introspective lyrics with self doubt and wistful thinking of the past. This builds with a heavy kick groove then proclaims the track title, Rewind Time, Return Desire, in true stadium rock fashion. The instrumentation does a fantastic job of setting the tone of pining for a passion now lost.
“How can a treasure become a monotonous curse?
We follow each other’s lives like two satellites orbiting different Earths””

The ambient instrumental loops begin to speed up as a the bass guitar takes the lead in A Ship Came Into Harbour. The catchy riff is backed up by a soft guitar with a delay that almost makes it sound like a robotic cello. The track takes a twist on the drinking game, describing people as ships struggling to retain control in the ocean, holding the precious cargo of their hopes and dreams. The track builds into a big guitar solo distinctive with its heavy delay, which gives way to a strings led bridge with a final iteration of the chorus in a hard hitting half time.

The music suddenly drops into a menacing groove with the same guitar tone with heavy delay, electric drums and a soft piano line, reminiscent of Gorillaz. NoMoreCows is a scathing critique of people ignorant of their privilege and selfishness from a self proclaimed “Doctor Truth”.

“The diagnosis is not looking good,
with medium to high chance you’re an ignorant fool
Roaming around this stolen land,
All that bastard freedom, can you not give a helping hand?
But alas it’s the divine meritocracy,
a product of your own making that you foolishly believe”

The track also includes some self reflection considering Harry’s own privelege stating he is “Riding [his] bike in a tailwind”. After proclaiming that “this race must be rigged” the track drops, and lets anticipation build. This finally drops into a filthy heavy riff which takes the prize as THICCest groove on the EP.

Vengeful Millenial was a switch up from HMN’s usual exploratory singles to form a cohesive body of work. “I always wanted to do a project where each song blends into the next” says Haryy “I like the sense of journey that is created when the record doesn’t break between songs, and there is relationship between themI mean it’s probably a f*cking terrible idea in the age of streaming and the dominance of single tracks and playlists … but sh*t sometimes you gotta just do want you want first.”
Personally I’m a big fan of through album listening. It’s good to finally have a cohesive bit of HMN to delve into. Here’s to many more.

Listen in to Vengeful Millennial and Follow Hazza Making Noise on Spotify, Apple Music, Facebook, Instagram and Twitter.

Never Coming Back – Underscore

Indie Rock, Uncategorized

After an enticing build up for their new single on Tik Tok, Underscore have finally released their sophomore single Never Coming back, and oh boy it slaps like a prima donna.


Unlike their first release Dirty Word, Never Coming Back hits hard and heavy with a lumbering blues groove that finishes on a crunchy chromatic descent. Front man Jonathan Meyer describes the track as a “bitter breakup song that draws on progressive rock influences”. Never Coming Back builds on this idea switching between sarcastic verses and emotionally charged choruses. A soulful solo leads into a fast paced bridge that carries the song into a final heavy iteration of the tracks iconic riff.

Underscore features Hon Manawangphiphat on bass guitar, Josh Johnston on drums, and Jonathan Meyer on guitar and vocals. The trio started playing music together as students at the University of Auckland, and have performed shows throughout Auckland ever since. While Jonathan is the principal songwriter and guitarist, the whole band brings together their backgrounds in pop, rock, metal, and jazz to create the one-of-a-kind sound Underscore is known for.

This track was a lot of fun to listen to, and we’re keen to see where Underscores following releases take them.

Make sure to follow them on Spotify, Facebook, Instagram and Tik Tok.

Finally some dirty words from Underscore

Indie Rock

Underscore has been kicking around the pop school indie rock scene for a while, playing shows, reviewing sandwiches and rebooting the Skype soundtrack. Despite this varied experience they’ve never had an official release until now, with Dirty Word.

The track starts with an infectious indie rock riff that Franz Ferdinand could’ve been proud of, and some juicy chords that could’ve taught them a thing or two. Underscore keeps you interested with constant rhythmic mix ups, changes in tone, and a cheeky lil modal shift in the chorus that gets the nerdy musos raising an eyebrow and nodding in approval. The bridge of the track lets lead singer Jono really open up his pipes and put on some gravel to belt out some big notes.

Despite my juvenile hope that the word in question would’ve been more dirty, I feel that Underscore has skilfully brought an important message into a fun and energetic song to improve awareness of mental health, and letting us all know it’s okay to ask for help. It’s really a message we as a community can’t hear enough of.

We look forward to hearing more from Underscore! And hopefully an EP will be on the way. Keep tabs on them on Facebook, Instagram and Spotify.

Disappear – Lorenzo Hazelwood

Acoustic, Rock, Singer Songwriter

It’s easy to disappear into the beautiful soundscape that Lorenzo creates in his acoustic lead follow up to his Single Pharos. The track is slow and lumbering with rich baritone vocals reminiscient of 90s grunge (but the vocalists who could sing more vowels than urrrr). The soundscape is dark and smokey which is a diversion from Lorenzo’s usual performance with his band Close to the Bone.
Singer Lorenzo was inspired to tackle his solo project with lockdown and managed to self record the three songs released under Lorenzo Hazelwood in his home studio. These were picked up and worked on with Toby Lloyd from Tiny Triumph Recordings and Mastered by Luke Finlay from Primal Mastering.
Lorenzo plans to release more music during the year so make sure to follow him on Facebook, Instagram and Spotify to catch more broody dirges! Hopefully another lockdown isn’t required to draw out more creativity.

Isolated – Nick Dow

Acoustic, Singer Songwriter

Nick Dow is back, and immediately sending shivers down my spine.
Isolated, is an eerie and ethereal piece that belongs in an abandoned ruin of a concert hall. The sound builds on echoing arpeggios with a rough falsetto that soars through the spacious soundscape reminiscent of Radiohead. This is one of the simpler songs Nick has released steering away from earlier complex works, but I believe the beauty of this song comes from it fully utilised stripped back arrangement, a delicate touch on the keys, and flawless harmonic progression. The song appears to be topical with 2020’s isolating lock downs worldwide, striking a chord with many of us pent up inside isolated from the world around us.

Isolated is the first we’ve heard from multi-instrumentalist Nick Dow since his well received debut album “Layers” quoted as being “about as good as debut albums get” which charted in NZ and set Nick off playing shows around NZ. Nick has built up a reputation around Auckland as a formidable musician, with talent as a vocalist, pianist and violin player, playing for musicians such as TEEKS.

Catch Nick Dow playing in Auckland on the 31st of October with BEING. and Chris Wallace at the Wine Cellar.

Keep up with Nick Dow on Facebook, Instagram and Spotify.

Villette – Curious

Funk, R'n'B

Award-winning singer, songwriter and producer Villette is back with a bang on her new single ‘Curious’ – the first track from her upcoming EP. The single immediately grabs you with a brisk beat and chorusy guitars straight out of a Mac Demarco track. The song develops into an upbeat R’n’B groove with hints of disco and funk that could’ve come straight outta Michael Jackson’s catalogue.

‘Curious’ is an ode “to the girl that’s on a mission but  enjoying the journey,” explains Villette. “It’s a tale of enjoying the ups and downs of life and venturing further down forbidden paths”. Produced by Ben Malone and co-written with Max Gunn and Jono Boyle, ‘Curious’ signals “a new chapter” in Villette’s journey. She describes her upcoming EP as “upbeat and exciting”, a diversion from her usual smokey slow jams of the past. “The writing style and content is reflective of where I’m at in life as well, and that is mirrored in the whole EP,” Villette says.

Villette’s release of curious has been coupled with an official music video, which is filled to the brim with nostalgia, kiwi summer, and infectious good vibes. Don’t miss it! Watch below.


Born and raised in New Zealand, Villette has cultivated her sound through experience singing, producing, DJing and songwriting. Her music has taken her on tour across NZ, Australia and the USA with her last mixtape “Drip Crimson“. Earlier works had her putting together a one of a kind 360 Music Video, Money, which took her visual performance to a whole other level.

Make sure to keep up with Villette on Facebook, Instagram and Spotify.

Chris Pidsley – Cinnamon & Berryhead

Acoustic, INDIE, Indie Rock, Singer Songwriter, Singer Songwriter


Chris Pidsley has dropped a couple of tasty indie-rock tracks recently which we can’t get out of our heads! Cinnamon & Berryhead show Chris Pidsley’s increasing talent as a song writer and mastery of creating a relaxed, happy soundscape.
Cinnamon has an intro that’ll be sampled into a chill-hop track any day now. The track moves into classic up-beat indie rock vibe with retro synths, chorused guitars and lazy vocals. Chris uses rhythmic flourishes and tasteful layering to keep us listening throughout the track. The track is about “the excitement and emotions you feel when you kiss someone for the first time.”
Berryhead is the sleepy b-side to Cinnamon. The song is a beautiful lullaby reminiscent of Jose Gonzalez, Cavetown or Syd Matters that would sit perfect on the “Life is Strange” Soundtrack. Chris has beautiful strings and synths to accompany his multi-tracked vocals the combines into a beautiful elixir that washes over the senses to put you at ease. Chris wrote Berryhead “…whilst on holiday in Torquay. On a walk to Berryhead I saw a bench dedicated to a couple who said that spot was their favourite spot in the world. I based the lyrics on this idea of a couple growing old there and the beauty they saw in each other as well as the location.” Berryhead might be my personal favourite track from Chris Pidsley so far.

Make sure to check out Chris Pidsley over on Facebook, Instagram and Spotify.

Stuck in a Loop – MYRY ft. WULF

Ambient, INDIE, Singer Songwriter

Fighting on the frontlines of the pandemic in London hospitals hasn’t stopped MYRY from adding another beautifully melancholic piano track to her repertoire.

Stuck in a Loop is a stripped back inner dialogue accompanied by MYRY’s warm piano and WULF‘s soft vocals.
The song is gentle but builds with a quiet strength that stretches and swells until you’re swept up in swathes of synths bringing the song into a rich climax. The music sounds like a beautiful blend of Regina Spektor and Lydia Cole, combining the charm of a singer-songwriter and a piano with a sophisticated soundscape of synths.

MYRY has built a reputation for herself with the success of her Debut Single Ghosts, called a “Headphone moment” by BBC introducing. Record of the Day said her “voice [was] as captivating as Freya Ridings or Birdy“, but MYRY’s success began earlier than this. As a teenager MYRY was a Youtube success garnering millions of views from various covers, including everyone’s favourite song with a cup, “When I’m Gone“.

Hints of an upcoming EP from MYRY have been mentioned, and we can’t wait to get our hands on it.

I Really Wanna – Hannah Rose Kessler

INDIE

Hannah invites us into a hazy drunken discussion about becoming disillusioned with a worldview proposed by common media. Various creatives from their own bubbles brought together their own visual takes on the song, creating an eclectic video montage of diverse expression. Hannah talks of just managing to scrape by, but reluctantly acknowledges that we should keep on trying.

We found Hannah in London prior to lockdown with the ‘Loud Women’ collective where she wow’d an audience with a heavy and raw performance. Taking influence from a variety of artists including Nick Cave, Alison Mosshart, Debbie Harry, The Carpenters, Sonic Youth, The Watersons and Queens of the Stone Age, Hannah produces music that is quite special, and delightfully off kilter.

See her music video for I Really Wanna below:

Follow her on Facebook, Instagram, and Bandcamp.

Stay – Max Earnshaw

INDIE, pop rock

Max Earnshaw’s latest single Stay has an infectious feel good groove that has you bopping and toe tapping right in your seat.
The track is chocka with tight grooves from reknown Adam Tobeck, juicy guitar tones from Christo Karadjov, James, Fistonich and Max Earnshaw himself, all wrapped masterfully together by a Luan Meaker Mix.
Max brings the same fun and positivity to his tracks that you’d expect from Jet or Franz Ferdinand. We can’t wait to hear this track live when Aunty Cindy lets us play again!

Stay is a Bandcamp exclusive! So find it here.

Make sure to follow Max for future bops. Facebook, Instagram, Spotify.