Release of the Vengeful Millennial

Electro Rock, INDIE, Indie Rock, Rock

Pop in your air-pods and grab your avo-toast, Hazza Making Noise’s Debut EP Vengeful Millenial is here, and it’s solving the housing crisis.

Harry Platt, the face behind Hazza Making Noise, has been releasing a string of singles since 2018. Each track takes a unique spin on re-imagining the grunge era through electronic music. Singles such as Do You Wish To Print A Receipt cracked the algorithm to break into a hallowed Spotify editorial playlist. Regular single release shows with backing band, The Ellice Road Boys, have helped build up a loyal fan base eager for the first debut EP.

NoMoreGaps is the opening track of the EP, and it starts tentatively. A mellow take on the lead riff begins to fade in with samples taken from the countdown self-checkout aisle, a subtle node to an earlier single. The track then swells in with its catchy synth lead and builds to a fast pasts chorus with off kilter rhythms and shouted vocals. “The duelling riffs in the verse is probably one of my favourite things I’ve stumbled into” says Harry, “The bass and guitar really groove out, and the beat just sews it together”. The track continues bouncing between ambient verses and bridges and its “bipolar punk rock chorus” which talks of liberating oneself to all sorts of vice to fill the gaps.

Boomers is Disguise is a punk rock football stadium chant that comes in hard straight out of NoMoreGaps. The track previously came out as a single with artwork showing ol’ Winnie Peters sporting a fantastic pair of Groucho glasses. The track goes hard with mellow verses teasing the reckless pace and chanted vocals of the chorus. The track came from an old flatmate who dared Harry to write a “rock-opera about baby boomers”. This becomes clear in the bridge where the chorus fade back for a chorus of Harry’s to slowly sing the mantra “Blame the Baby Boomers, Blame the Goverment, Blame the Baby Boomers, It’s all their fault”. Its a hard hitting tune, definitely slaps.

After the two fast paced singles, we’re lead into a reprieve with a slightly western guitar riff over some ambient instrumental loops. Harry starts with introspective lyrics with self doubt and wistful thinking of the past. This builds with a heavy kick groove then proclaims the track title, Rewind Time, Return Desire, in true stadium rock fashion. The instrumentation does a fantastic job of setting the tone of pining for a passion now lost.
“How can a treasure become a monotonous curse?
We follow each other’s lives like two satellites orbiting different Earths””

The ambient instrumental loops begin to speed up as a the bass guitar takes the lead in A Ship Came Into Harbour. The catchy riff is backed up by a soft guitar with a delay that almost makes it sound like a robotic cello. The track takes a twist on the drinking game, describing people as ships struggling to retain control in the ocean, holding the precious cargo of their hopes and dreams. The track builds into a big guitar solo distinctive with its heavy delay, which gives way to a strings led bridge with a final iteration of the chorus in a hard hitting half time.

The music suddenly drops into a menacing groove with the same guitar tone with heavy delay, electric drums and a soft piano line, reminiscent of Gorillaz. NoMoreCows is a scathing critique of people ignorant of their privilege and selfishness from a self proclaimed “Doctor Truth”.

“The diagnosis is not looking good,
with medium to high chance you’re an ignorant fool
Roaming around this stolen land,
All that bastard freedom, can you not give a helping hand?
But alas it’s the divine meritocracy,
a product of your own making that you foolishly believe”

The track also includes some self reflection considering Harry’s own privelege stating he is “Riding [his] bike in a tailwind”. After proclaiming that “this race must be rigged” the track drops, and lets anticipation build. This finally drops into a filthy heavy riff which takes the prize as THICCest groove on the EP.

Vengeful Millenial was a switch up from HMN’s usual exploratory singles to form a cohesive body of work. “I always wanted to do a project where each song blends into the next” says Haryy “I like the sense of journey that is created when the record doesn’t break between songs, and there is relationship between themI mean it’s probably a f*cking terrible idea in the age of streaming and the dominance of single tracks and playlists … but sh*t sometimes you gotta just do want you want first.”
Personally I’m a big fan of through album listening. It’s good to finally have a cohesive bit of HMN to delve into. Here’s to many more.

Listen in to Vengeful Millennial and Follow Hazza Making Noise on Spotify, Apple Music, Facebook, Instagram and Twitter.

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Never Coming Back – Underscore

Indie Rock, Uncategorized

After an enticing build up for their new single on Tik Tok, Underscore have finally released their sophomore single Never Coming back, and oh boy it slaps like a prima donna.


Unlike their first release Dirty Word, Never Coming Back hits hard and heavy with a lumbering blues groove that finishes on a crunchy chromatic descent. Front man Jonathan Meyer describes the track as a “bitter breakup song that draws on progressive rock influences”. Never Coming Back builds on this idea switching between sarcastic verses and emotionally charged choruses. A soulful solo leads into a fast paced bridge that carries the song into a final heavy iteration of the tracks iconic riff.

Underscore features Hon Manawangphiphat on bass guitar, Josh Johnston on drums, and Jonathan Meyer on guitar and vocals. The trio started playing music together as students at the University of Auckland, and have performed shows throughout Auckland ever since. While Jonathan is the principal songwriter and guitarist, the whole band brings together their backgrounds in pop, rock, metal, and jazz to create the one-of-a-kind sound Underscore is known for.

This track was a lot of fun to listen to, and we’re keen to see where Underscores following releases take them.

Make sure to follow them on Spotify, Facebook, Instagram and Tik Tok.

Angry Girl – Vikae

electro pop, Electro Rock, INDIE, indie pop

Dropping this Friday is the kind of song that makes you want to hire a security team. Vikae has outdone herself with her latest single Angry Girl, featuring killer production and lyrics that will cut you back like a weed.

Beat one is ominous and expanding. The track utilises sinister synths and percussion to set the tone: she. is. livid. Vikae’s theatrical vocal control creates the believable character of a girl who’s been wronged. I loved the use of octaved vocals in the pre chorus; it’s an effect that’s always satisfyingly unsettling.

The drop into the chorus is perfect. The rhythms are super interesting, and the harmonies are epic. Angry Girl uses silence expertly to build tension, and a sense of foreboding. You can experience Angry Girl in all its rebel glory at Vikae’s Casette Nine release this Friday. Come grab a beer!

Lucky Stars – Mikaela Cougar

pop rock, rock, Singer Songwriter

Mikaela Cougar is a force to be reckoned with, releasing three killer singles this year alone. Her latest feat is the cosmic Lucky Stars EP, which she hopes will “shoot people through moonbeams, landing them amongst the stars”. Dude. You gotta hear it.

The EP slaps from the get go, starting with nostalgic “grrl rock” single Lucky Stars. The track is moody gold, and it took me straight back to watching 10 Things I Hate About You in the early 2000s. There’s a certain No Doubt energy to the song, but it’s definitely that little bit edgier. It builds through the use of classic palm muting, distortion and layered vocals. It’s a good time.

I Don’t Wanna Be In Love is one of my absolute favourites. It was great to listen to the track again; it impressed me just as much this time. From there it moved into Stupid Love Drunk, which gave me major Lorde vibes. Mikaela’s pop alto shined in this track as her vocals walked the edge of spoken word in the verses. I can picture Stupid Love Drunk being  s o  m u c h  f u n  live as the audience yells the words with her. Don’t be fooled by the groovy rhythm section and fun chorus though; the song has secret lyrical substance. 

The fourth track See Straight is the single that made me fall in love with Mikaela’s music earlier this year. It was just as eerie and mesmerising this time, and nice to hear it in the context of the rest of the collection. The final track Scared begins a little more sultry than the earlier tracks. It’s cool to see Mikaela experimenting with different sounds and topics. It launches into her iconic “grrrl rock” sound before long. Overall the Lucky Stars EP is a really well balanced set of tracks. Mikaela has managed to develop a distinct and coherent sound while still delivering a diverse set of songs; a feat worthy of recognition.The full Lucky Stars EP will be available to the public this Friday, and Mikaela will take to the stage with her band at Wine Cellar. If her live performance is anywhere near as epic as her discography then the crowd will be in for a super fun night. Get your pre Halloween boogie on, and maybe I’ll see you in there!

You can find Mikaela Cougar and her music on Instagram, Facebook and Spotify.

Wanderer – Molly Devine

Ambient, Easy Listening

After years of working collaboratively with New Zealand songwriters and musicians, the isolation of 2020 has inspired something completely different from Molly Devine. It’s been a year of polar opposites for the artist. One moment she was touring the country with her new single Call Me Up, the next she was home alone crowded by her thoughts along with the rest of Aotearoa. Fortunately for Molly she runs a music school out of her home, so she spent her hibernation in a mini recording studio.

Wanderer is about the “magnetism (Molly) feels towards simplicity and easefulness”. The track is a first for Molly, as she wrote and produced it solo. Wanderer comes with a beautiful music video that paints pictures to compliment the soundscape.

Wanderer begins with a sparkling right hand piano line, and twinkling city lights to match. The introduction is based around a montage of busy modern living; a time-lapse of traffic, flight times at the airport, a crowd at a zebra crossing. As Molly’s soothing voice describes a “familiar silhouette leaning against the door frame”, the imagery settles into a warm indoor scene. There’s poetry in Molly’s lyricism. She “loves you like the ocean loves the moon”, drawing imagery from nature to parallel human emotions.

I particularly enjoyed the appearance of classical guitar; an intricate line written by Jayendra Birchall. The dynamic blend of Molly Devine’s songwriting and Birchall’s mystical performance results in an ethereal piece of writing; reminiscent of some of Sufjan Steven’s work. Wanderer is a beautiful piece of writing. I look forward to keeping up with Molly’s journey on Facebook and Instagram.

Photo: Nik Brinkman

Disappear – Lorenzo Hazelwood

Acoustic, Rock, Singer Songwriter

It’s easy to disappear into the beautiful soundscape that Lorenzo creates in his acoustic lead follow up to his Single Pharos. The track is slow and lumbering with rich baritone vocals reminiscient of 90s grunge (but the vocalists who could sing more vowels than urrrr). The soundscape is dark and smokey which is a diversion from Lorenzo’s usual performance with his band Close to the Bone.
Singer Lorenzo was inspired to tackle his solo project with lockdown and managed to self record the three songs released under Lorenzo Hazelwood in his home studio. These were picked up and worked on with Toby Lloyd from Tiny Triumph Recordings and Mastered by Luke Finlay from Primal Mastering.
Lorenzo plans to release more music during the year so make sure to follow him on Facebook, Instagram and Spotify to catch more broody dirges! Hopefully another lockdown isn’t required to draw out more creativity.

Big Bam Boom – The RVMES

INDIE, Indie Rock, Uncategorized

Dynamic and bold, The RVMES are a genre-defying “stir-fry” band of brothers from the big smoke. The four piece waste no time, and in their short two years as a collective they have “caused mayhem” on a 10 day North Island tour, and released a self titled 9 track EP. The RVMES show no sign of stopping with banger after banger under construction and a brand-spanking-new single Big Bam Boom out September 12.

RVMES’ latest track starts with as much of a bang as you’d expect from a track so bold as to go by Big Bam Boom. The lads launch into a scurrying rhythm section and gang vocals to sing the title line, before a stupidly catchy falsetto “ooh”. The vocals lie somewhere between indie-rock and acoustic rap as lead singer Edwin Judd riffs about people watching.

The arrangement is so fun, and so creative. It’s impossible to send praise in one direction in particular, because the band refuses to sit still for a micro second. The rhythm section diversifies with every bar, finding epic moments where drums, bass and guitar can lock together. While the verses themselves are riddled with cool lyrical and instrumental moments, nothing beats the soaring Big Bam Boom chorus. If that’s not enough for ya the band launches into a killer instrumental section at the end enough to have your fitbit asking if you’re okay.

The energy is r e l e n t l e s s l y e l e c t r i c . I’ve never had the pleasure of witnessing Big Bam Boom live, but I can feel the floor rattling with the mosh pit through my headphones. You can hear how much fun The RVMES had recording the beast, and it makes it a riot to listen to it. Keep an eye out for their live gigs on Facebook and Instagram – I might see ya there.

Villette – Curious

Funk, R'n'B

Award-winning singer, songwriter and producer Villette is back with a bang on her new single ‘Curious’ – the first track from her upcoming EP. The single immediately grabs you with a brisk beat and chorusy guitars straight out of a Mac Demarco track. The song develops into an upbeat R’n’B groove with hints of disco and funk that could’ve come straight outta Michael Jackson’s catalogue.

‘Curious’ is an ode “to the girl that’s on a mission but  enjoying the journey,” explains Villette. “It’s a tale of enjoying the ups and downs of life and venturing further down forbidden paths”. Produced by Ben Malone and co-written with Max Gunn and Jono Boyle, ‘Curious’ signals “a new chapter” in Villette’s journey. She describes her upcoming EP as “upbeat and exciting”, a diversion from her usual smokey slow jams of the past. “The writing style and content is reflective of where I’m at in life as well, and that is mirrored in the whole EP,” Villette says.

Villette’s release of curious has been coupled with an official music video, which is filled to the brim with nostalgia, kiwi summer, and infectious good vibes. Don’t miss it! Watch below.


Born and raised in New Zealand, Villette has cultivated her sound through experience singing, producing, DJing and songwriting. Her music has taken her on tour across NZ, Australia and the USA with her last mixtape “Drip Crimson“. Earlier works had her putting together a one of a kind 360 Music Video, Money, which took her visual performance to a whole other level.

Make sure to keep up with Villette on Facebook, Instagram and Spotify.

Into Into You – Geoff Ong

Pop, pop rock

Self proclaimed “pop star for dorks” Geoff Ong has released another single, and it’s insanely catchy. I first heard the track on release day, and the optimistic hook line has been rattling around in my brain ever since. The icing on the Into Into You cake is the fun and professional music video choreographed by Anton Pulefale and Victoria Villapol, and directed by Geoff Ong himself.

The music video starts with Pulefale and Villapol standing back to back in a studio with a light directed at the camera. Ong asks the question “is it weird to think we could have been just strangers passing by in the street?” before wondering about the universe and its plans. It’s a feel good song, all about revelling in the magic of new love.

The dancers capture the mesmerising nature of a new relationship by moving in slow motion together. They snap into an energetic chorus while the movement of the editing aligns with the rhythm section. It’s a carefully considered video, but it still feels charming and genuine; the dancers look like they had a lot of fun filming it.

Tastefully filmed and edited by an artist with countless strings to his bow, Into Into You is infectiously groovy. The next time you need a slice of optimism load up the video and get smiling. Don’t miss Geoff Ong when he next plays live – his shows are outrageously dynamic, and so much fun.

Always You – South For Winter

Acoustic, Folk, Singer Songwriter

South For Winter is the otherworldly folk trio comprised of Nick Stone, Dani Cichon and Alex Stradal. Stone and Cichon met as volunteers building greenhouses in the Andes Mountains. Here they wrote Fallen Seeds, the first of many mesmerising pieces they would work on together. Upon moving to Nashville in 2017 they met the missing piece in their sound: classically trained cellist Alex Stradal.

Always You summons the sun in the winter. It begins with a strong acapella sentiment from the pure voice of Cichon. Her signature lyrical style sounds Oh my love when I lose my hold / when my eyes forget their youth / when the wind’s worn down these bones / oh there’s always you. South for Winter’s lyrics often walk the line between poetry and song, and their latest creation is no exception.

Cichon is joined by a bright ukulele and full band arrangement. Stone’s harmonies add colour and depth to the timbre, and the piece sets off on a boundlessly enthusiastic journey. It’s easy to hear the fun the musicians have when they work together. The three stylistic inputs result in a masterful and well balanced soundscape.

Always You is a more optimistic offering than the eerie murder ballads South for Winter is famous for, but there is a distinct familiarity hidden in it. It’s easy to hear the intricate sound of the band when the cello is introduced and the song breaks for a cheeky guitar solo. Perhaps this cotton candy track is exactly what the world is in need of this year. The song promises that despite all the darkness and inevitable passing of time, love will remain. 

The band is set to release a full length album this year, and we couldn’t be more excited for more magic. Keep up with their progress on Instagram and Facebook.