Artists meet sporadically at the Ministry of Folk to deliver intimate live performances in an old church hall. The audience munches on snacks brought from home, enjoying the fairy lights and ambience. The event is hosted by the inimitable Hoop, who make the stage feel like the lounge of a family friend.
Running a little late, we stumbled through the door at 7.35 with a bottle of what we’d just realised was cork wine. Hoop’s talented and kind violinist Emily welcomed me into the kitchen where we found a rustic corkscrew, and their drummer used brute strength to release the stopper. The band was huddled in the kitchen for a pre show chat; it’s clear that they’re a well bonded and comfortable group of musicians.
Hoop opened the stage like the audience were old friends. Based on the Australian bush fires, Devil’s Choice is a stand out track written in 5/4. The violinist imitated an ambulance’s siren, and the band built the atmosphere with a jungle rhythm on the flute. Nick and Al’s voices blended impeccably, allowing for that classic “folk” sound riddled with harmonies.
This Year was written from the perspective of a family who had battled COVID, cancer and chemotherapy throughout 2020. The song claims 2021 as a new and brighter year – a sentiment the room was holding on to with hope. It was a pleasure to watch Hoop perform again.
Jazmine Mary and Being. are a duo founded on the common ground of the name Jasmine. Both artists appeared comfortable on stage, drawing the audience in with sarcasm and a genuine friendship. The set began with Jazmine Mary’s latest release Dancer. The track is melancholy and features impressive vocal depth from Jazmine Mary. We rediscovered our love for Dolly Parton when the pair delivered a haunting cover of Jolene.
Being. fronted the second half of the set. Her music was driven by modal shifts and a precise vocal performance. Count Me In was moving, arranged with sliding synths under a soft guitar. Beings.’s lyrics have a poetic quality to them, as she described the feeling of defeat as “dragging around a lifeless body. Truly, the clarity in her voice held the audience captive.
The final set for the evening was performed by the enchanting Looking For Alaska. What defined their time on stage was the mesmerising stories they had to share. Each song was driven by human emotion; frontwoman Amy told the tales of her late little cousin and a Grandmother who used to laugh so hard her teeth fell out. The duo’s trust for each other was tangible. It was a mesmerising set.
It’s difficult to pick any one piece that stood out, as each song boasted a certain ‘X Factor’. Where Have You Gone was a sultry slow jam with tight harmony that built to a phenomenal belted section. Home drew the audience to sing along and Hey You was a display of love coupled with a drinking game. Each song in the set was polished and precise, featuring flawless guitar playing from Aaron and out of this world vocals from Amy. The duo’s voices blended impeccably.
Part way through a song the room erupted into surround sound alert level 3 warnings. Despite the anxiety the sound always entices Looking For Alaska remained comfortable on stage, and soon had the audience yelling for several encores. I’m glad we spent our last night of freedom listening to such an astonishing display of musicality.